From Powells.com
Our favorite books of 2020-2021.
Staff Pick
Ní Ghríofa’s A Ghost in the Throat is the most interesting and beautiful book I’ve read this year. Biography, memoir, and autofiction (an intoxicating blend for anyone with lit critical impulses), A Ghost explores Ní Ghríofa’s obsession with Eibhlín Dubh and her 18th-century lament “Caoineadh Airt Uí Laoghaire.” Unable to find much scholarship about Dubh, Ní Ghríofa plunges headfirst into translation and archival records, traversing Ireland as she imagines the circumstances of Dubh’s life and losses into being on the page. At the same time, Ní Ghríofa is bearing, nursing, and caring for four children, and the twin acts of raising a ghost and raising children form the core of the work, which is as invested in female sacrifice and desire as it is in literary biography. A poet, Ní Ghríofa has an unerring talent for structure and the tonal quality of words; there’s no exposition here, only deeply felt, keenly designed chapters that pull the reader into Ní Ghríofa’s fixations and experiences. A remarkable work that remakes biography and memoir into something wholly unexpected and pulsing with life. Recommended By Rhianna W., Powells.com
Synopses & Reviews
An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Shortlisted for the James Tait Black Biography Prize
When we first met, I was a child, and she had been dead for centuries.
On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own.
Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.
Review
"A powerful, bewitching blend of memoir and literary investigation … Ní Ghríofa is deeply attuned to the gaps, silences and mysteries in women’s lives, and the book reveals, perhaps above all else, how we absorb what we love—a child, a lover, a poem—and how it changes us from the inside out." Nina Maclaughlin, New York Times
Review
"One of the best books of this dreadful year... Billed as a genre-busting blend of ‘autofiction, essay, scholarship, sleuthing and literary translation’, the book is an extraordinary feat of ventriloquism delivered in a lush, lyrical prose that dazzles readers from the get-go... When you write like this there is almost nothing a writer cannot get away with." Sunday Times
Review
“A Ghost in the Throat is something strange and very special: a ravishingly immersive telling of the way in which a poet and mother's obsession with a poet and mother who died centuries ago makes their different lives chime like bells.” Emma Donoghue
Review
“A Ghost in the Throat moves between past and present with hallucinogenic intensity as the narrator uncovers the details of the dead woman's life, each revelation deepening her own sense of herself as a writer and a woman and creating in the process a brave and beautiful work of art.” Republic of Consciousness Prize
About the Author
Doireann Ní Ghríofa is a poet and essayist. In addition to A Ghost in the Throat, she is author of six critically acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship, the Ostana Prize, a Seamus Heaney Fellowship, and the Rooney Prize for Irish Literature.